Canadian DMCA is Here

June 12th, 2008

Industry Minister Jim Prentice introduced his new copyright legislation today and it is not good.

As expected, the Canadian DMCA is big, complicated, and a close model of the U.S. Digital Millennium Copyright Act (Industry Canada provides a large number of fact sheets here).  I’ll have much more to say once I’ve had a careful read, but these are my five key points to take away:

1.   As expected, Prentice has provided a series of attention-grabbing provisions to consumers including time shifting, private copying of music (transferring a song to your iPod), and format shifting (changing format from analog to digital).  These are good provisions that did not exist in the delayed December bill.  However, check the fine print since the rules are subject to a host of strict limitations and, more importantly, undermined by the digital lock provisions.  The effect of the digital lock provisions is to render these rights virtually meaningless in the digital environment because anything that is locked down (ie. copy-controlled CD, no-copy mandate on a digital television broadcast) cannot be copied. As for every day activities like transferring a DVD to your iPod - those are infringing too. Indeed, the law makes it an infringement to circumvent the locks for these purposes.

2.   The digital lock provisions are worse than the DMCA.  Yes - worse.  The law creates a blanket prohibition on circumvention with very limited exceptions and creates a ban against distributing the tools that can be used to circumvent.  While Prentice could have adopted a more balanced approach (as New Zealand and Canada’s Bill C-60 did), the effect of these provisions will be to make Canadians infringers for a host of activities that are common today including watching out-of-region-coded DVDs, copying and pasting materials from a DRM’d book, or even unlocking a cellphone.

While that is the similar to the U.S. law, the exceptions are worse.  The Canadian law includes a few limited exceptions for privacy, encryption research, interoperable computer programs, people with sight disabilities, and security, yet Canadians can’t actually use these exceptions since the tools needed to pick the digital lock in order to protect their privacy are banned.  In other words, check the fine print again - you can protect your privacy but the tools to do so are now illegal.  Dig deeper and it gets worse.  Under the U.S. law, there is mandatory review process every three years to identify new exceptions.  Under the Canadian law, its up to the government to introduce new exceptions if it thinks it is needed. Overall, these anti-circumvention provisions go far beyond what is needed to comply with the WIPO Internet treaties and represents an astonishing abdication of the principles of copyright balance that have guided Canadian policy for many years.

3.   The other headline grabber is the $500 fine for private use infringement.  This will be heralded as a reasonable compromise, but check the fine print.  Canadian law already allows a court to order damages below $500 per infringement, so the change may not be as dramatic as expected (though $500 in damages is the maximum for private use infringement).  Moreover, it is already arguably legal to download sound recordings in Canada.  Under the proposal, there are exceptions for uploading or posting music online (ie. making available) and even the suggestion that posting a copyright-protected work to YouTube could result in the larger $20,000 per infringement damage award.

4.   The ISP provisions are precisely as expected with a statutory notice-and-notice system.  However, check the fine print.  The role of the ISP may be undermined by the Anti-Counterfeiting Trade Agreement, which the government trumpets in its press release.

5.   The education community received several provisions that are largely gutted by the fine print.  For example, library materials can be distributed in electronic form, but must not extend beyond five days.  In other words, it turns librarians into locksmiths.  Moreover, there is an Internet exception that educators wanted but it does not apply for any works that are either password protected or include a notification that they cannot be used.  In other words, online materials that are available under a Creative Commons license are fair game (as they are already), but most everything else is still potentially subject to a restriction.  This was precisely what many feared - rather than pursuing the far superior expansion of fair dealing, the education community got a provision that does little to enhance classroom learning.

I’ll have more to say soon, but the takeaway is that the DMCA provisions are worse than the U.S. and the consumer exceptions riddled with limitations as the government promotes a strategy of locking down content and launching lawsuits against Internet users.

Michael Geist - The Canadian DMCA: Check the Fine Print

This legislation must be stopped. There is a new letter to send. This one is sent to your MP, Industry Minister Jim Prentice and Heritage Minister Josée Verner. To send it click here.



Canadian Copyright Reform

June 3rd, 2008

It looks like Industry Minister Jim Prentice will introduce his new copyright reform bill tomorrow.

Multiple sources advise that Industry Minister Jim Prentice’s current plan is to introduce the Canadian DMCA this week, likely on Wednesday.  While things could change, it would appear that Prentice’s communication strategy is to do as little communicating as possible. Plans for a possible press conference have apparently been put on hold given concerns that the press might actually ask questions and Prentice has even entertained thoughts of shuffling the bill quickly to a committee for summer hearings so that he would not have to deal with the issue all summer long. The Minister will also head for Japan and South Korea late the following week as part of the OECD Future of the Internet Economy conference, so out-of-sight, out-of-mind.

Michael Geist - The Unoffical Canadian DMCA Background Document

I recommend that you read his post in its entirety. He lists what he expects to be in the bill and things that Mr. Prentice likely won’t talk about. Canada needs balanced copyright reform and adopting a US-style DMCA is not the answer. From what I’ve heard and read about the bill, it is not looking good. We need to act now in order to prevent this bill from becoming law and to give Canada a chance at fair and balanced copyright reform. I urge you to write to your MP, the Prime Minister, Industry Minister Jim Prentice, and Heritage Minister Josée Verner. One way of doing this is to use this pre-written letter and use the form on that page to send it via email. I would also recommend printing it out and mailing it. Letters mailed to Parliament/MPs/Ministers do not require postage. Simply print it off, put it in an envelope, address it and drop it in the mail box.

If you don’t know who your MP is, you can find out by clicking here and entering your postal code. Please send a letter. We were able to stop Mr. Prentice’s bill in December and we can do it again.



More Videos

May 7th, 2008

Well, I have more videos to share. The first one is one of my projects for my video arts class back in high school. The second one is another time lapse, which some of you have seen. When I posted those other two videos on here, I got a lot more traffic, so I am hoping to do the same with the other time lapse. The first video is on Youtube, the other on Vimeo. I put the music video on Youtube because I thought it might get more views. I like Vimeo better though. Anyway, enjoy!

This one is a music video for Rise Against’s “Swing Life Away”.

This is a trip up to the University. Normally, I wouldn’t go this way because it takes longer, but the way I do go isn’t nearly as exciting. The music in this one is by me. The full version is 1:30 long. If you want it for some strange reason, email me and you can have it.


Trip to the University from maple on Vimeo.



Meeting Collective Soul

February 11th, 2008

Collective Soul and Me

Wednesday night was the Collective Soul concert here in Calgary. If you know anything about me, you know that Collective Soul is by far my favourite band. This was exciting stuff. They played at Flames Central and I didn’t think it was going to be very big. For those of you who don’t know where Flames Central is, it is basically on 1st Street and Stephan Ave (8th Ave). If that doesn’t mean anything to you and you really want to know where it is, go look at a Google Map. Anyway, we drove down 2nd Street hoping to find a parking meter, which I didn’t actually expect to find. As expected, we didn’t find one. We did, however, find on on 3rd St and about 7th Ave. Anyway, that isn’t the point. As we drove down 2nd St we noticed the people lined up to get in. Both Cassandra and I thought that that many people surely couldn’t fit in Flames Central. By the time we got parked and walked down there and got in line, we were basically at 9th Ave. That’s a long line.

Collective Soul and Me

When we finally got inside, we were both very surprised at how big it actually was. It is a really cool place. We had VIP tickets, which meant we got to meet Collective Soul. We really weren’t sure how it was all going to go down, because the email I got about it was pretty fuzzy on the details. We decided to ask someone, but got sidetracked by the merchandise. I decided to ask the cashier lady, but she didn’t know anything. I bought my shirt and we decided to just wait until 9: 30. That didn’t happen. At around 9:15, we decided to go find someone else. We found a security guard to ask, and he thought I was asking about the band when I said “Meet and Greet.” When we finally got him to understand what we wanted he directed us to the guy by the door who we wanted to talk to originally. We talked to him and he told use where to go.

Collective Soul and Me

After some waiting we were led upstairs to the VIP lounge-type area. When they came in, we still weren’t sure how it was all going to work. I had heard that it was like a wedding reception and that was exactly what it was like. We were one of the first people through. We just went through and introduced ourselves and said hello. After we went through, we noticed that everyone else was taking pictures and getting autographs and stuff. We felt pretty ripped off, so we went through again.

Collective Soul and Me

We got to stay up there for the rest of the concert, which was awesome. The concert was really good. We had a lot of fun.